An encounter with a doppelganger in Japan cracks open the edges of reality, as a return to the homeland becomes a search through memory, absence, and the ghosts of identity.

His entire life, the charismatic actor Rutger Hauer kept the outside world at a distance. His inner circle included only a small group of people, among them director and goddaughter Sanna Fabery de Jonge. In this film, she unravels the mystery surrounding Rutger and reveals a man even more fascinating than the roles he played.

In 1992, semi-retired detective and author Martin Dye is hired to track down a missing duffel bag of cash tied to a fatal 1970s crash that left one friend dead and another in a wheelchair. As Martin follows the trail through old classmates, small-town gossip, and buried lies, he uncovers a dark legacy of drugs, betrayal, and shattered lives - and learns some secrets refuse to stay buried.

Han, a young runaway, and Chang, an over-the-top teen, are close friends. Chang is a foulmouthed, womanizer while Han is a quiet and humble virgin. As they venture into the streets of Garibong-dong and jump from apartment to apartment, they encounter a young hooker, Lan, and Seri, a paint-sniffing young woman who finds comfort in the hands of Han. And this forms the unlikely group of teenagers facing the hardships of street life.

A teenage couple are leaving the mission on their way to new lives. As they walk to the bus stop, they discuss their reasons for leaving.

Cruel Famine Continent documents the Great Sahelian drought in West Africa and its effect on the people. The production was an attempt to pivot Toei's output from yakuza films and Toei Porn towards "global issues" and "whatever makes money", as stated by then-Toei president Shigeru Okada. Theatrical proceeds were to be shared as relief funds through the Japanese Red Cross, though the box office returns are unknown. Footage shot for the documentary by Yoshimitsu Banno would later be reused in the 1974 Toho production Prophecies of Nostradamus.

Nastja Säde Rönkkö recites one poem with three narrators: a teardrop, a droplet of blood and a bead of sweat. Each tells love stories through biochemistry – about love, belonging and loss, and about crises lived and impending. The words are vivid but not enough, supercharged here by hyperreal images of landscapes both physical and emotional, and the fluids expressing and crystallising them.

Years have passed since the Three Musketeers, Aramis, Athos and Porthos, have fought together with their friend, D'Artagnan. But with the tyrannical King Louis using his power to wreak havoc in the kingdom while his twin brother, Philippe, remains imprisoned, the Musketeers reunite to abduct Louis and replace him with Philippe.